UCLA Chicano Studies Research Center

L.A. Xicano "Mapping Another LA: The Chicano Art Movement"

as part of the Getty Southern California Research initiative
Pacific Standard Time: Art in Los Angeles 1945-1980

curated by Pilar Tompkins Rivas, Chon Noriega, and Terezita Romo

Exhibition Dates: October 16, 2011- February 26, 2012
at UCLA Fowler Museum

Click here for more info: www.fowler.ucla.edu/exhibitions/mapping-another-la-chicano-art-movement

Self Help Graphics Barrio Mobile Art Studio Silkscreen Prints 1977- Designed and printed by Linda Vallejo with East LA Elementary School Students and images of Linda Vallejo, Barrio Mobile Art Studio Instructor, 1975-1980

 

Linda Vallejo, Artist Statement:

I began my work with Sister Karen Bocallero and Self Help Graphic's Barrio Mobile Art Studio (BMAS) in 1975. I had just returned from Spain and entered into the MFA Printmaking Program at Cal State University, Long Beach. I remember that I was nervous applying for my first "art" job and very happy when Sister Karen chose to hire me. In those early days Self Help's offices were located on Brooklyn Ave. in the heart of Boyle Heights. At that time the Barrio Mobile Art Studio (BMAS) was funded by a grant from the California Art Council. Sister Karen, Sister Pius, Sister Beth, and Rene Acosta were the driving force behind Self Help's vision and programs. Michael Amescua and I served as the lead artists, traveling to community elementary schools and centers along with several visiting artists. BMAS would drive up to a new location and work with students over an entire week to produce silkscreen prints, sculpture, photography, and mixed media projects "with and about the community."


Linda Vallejo and Michael Amescua
Self Help Graphics Barrio Mobile Art Studio instructors, circa 1976

Working with the Barrio Mobile Art Studio marks the beginning of my interest and study of Mesoamerican and indigenous history, culture, and ceremony. The BMAS curriculum focused on developing young students' appreciation of their history and culture. Images of Mesoamerican architecture, icons, and gods were used as a visual resource in teaching students and inspiring culturally relevant art projects. My entrance into the Chicano art scene also began with the Barrio Mobile Art Studio and SHG's Dia de Los Muertos Celebrations. I remember how small and intimate our first celebration was! We cut papel picado, constructed traditional "altares" with fruit and palm leaves, prepared traditional foods, and shared a quiet and thoughtful vigil to remember our ancestors and celebrate life. We all joined in a circle and Sister Karen offered a prayer while burning copal sat at the center of our "family circle."

Getty Research Initiative Pacific Standard Time

 

Fowler Museum at UCLA
North Campus of UCLA
www.fowler.ucla.edu/exhibitions/mapping-another-la-chicano-art-movement